Where, exactly, are we going
In my last journal entry, I said I wanted to learn to âclose my eyes.â To make it a practice. Not only because keeping my eyes open in the bright neon world of screens and tech drowns out my creative instinct, my desire for hard and holy things1, but because the artificial light has a way of subsuming; the longer I stare, the more of me slips away.
This practice Iâm proposing is an act of desperation. Iâm trying to save myself from becoming more machine than human. But I need to define what it means to close my eyes, to have a clear, active direction into what Paul Simon called (and Iâm paraphrasing) the friendly darkness. The practice of closing my eyes will act as the map on this adventure, but even the best map is useless if I canât read the markings.
In every direction
I woke up before sunrise on the day I began writing this entry to sit down and draw out the definition on my whiteboard.Â
But I couldnât see it. I felt the meaning, but no matter what I wrote, nothing was coming into focus. I was squinting at the words, but they wouldnât sharpen. I knew they were there, so I tried seeing them through scratched, murky lenses, axes to grind, opinions, and marketing. That is to say, I searched the internet and read a few articles. Looking back, I realize that was the wrong place for seeking clarity.Â
Twenty minutes after I was supposed to have stopped theorizing for the day, I was forced out of my desk chair by schedule and a growling stomach.Â
My husband had made it downstairs and we sat, sipping steaming drinks, in our chairs by the fireplace as we do every morning before work. Itâs instinctual for me to run my creative problems by my husband. He always helps to clear the cobwebs.Â
I could tell after the tea and talk that something was rolling around inside my head, moving, becoming flexible and alive, but still not taking flight.
So, I let it go.Â
I was already queasy from too much early-morning blue light (I canât be the only one who experiences this), and I couldnât bear to focus on the definition anymore. Not even in the company of my charming husband.
I slumped into the quotidianâfeeding our animals, tidying up, relieved not to be thinking about the question, and letting myself be human for a while.
And that, of course, is when the answer cameÂ
Iâm not good at opening the cage door and letting ideas out of my head. I canât control them. I canât lay claim to them in the same hard-earned way. They spread their own wings and light where they will.Â
I wanted to keep my eyes wide open as I searched for the answer, filtering through all the noise, light, color, and debate of the internet, the experts, the authorities. I wanted this discovery to be my moment, my brilliance. But too much of that sort of light blinds.
When I say I need to close my eyes, what I mean is: I need to create a quiet place in myself so I can hear God.
Thatâs it. Nothing fancy and no long words. I ran it by my husband, and he liked it, too.
There are times, like that morning, when I have to close my eyes or go mad, when the ache in my head becomes a blaring dinner bell and a hammer that wants to knock me out all at the same time. Itâs exhausting, trying to fight my human body and run like a machine. And it always leaves a markâsmall, but deep.
Instruments and information
In ancient times, Viking explorers used navigational crystals called sunstones to find the sunâs position in uniformly-gray skies. The crystals would polarize the light, filtering out all but the brightest spot.
To learn to step away long before the ache, to close my eyes as a practice, to recognize and attend to the need for silence and true self-love: these will combine to be my sunstone. A way of filtering out the distractions that make it impossible to plot my true course. As it is, Iâve spent far too much time going in circles.
So, Iâve chosen a destination, deciphered my map and landed a valuable item. If I were a character in a fairy tale, fantasy video game, or tabletop RPG this would be the point at which Iâd be given leave to set out on my journey. But I have one more stop to make in town.
The friendly darkness awaits, and I want to understand what little I can of that treacherous, beautiful realm before I set off to walk her earth.
A phrase attributed to the author Ann Voskamp, but Iâm unsure of where it appears.